Tag: Freemasons

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Jews, Masons, and Modernists are Enemies of the Church

Bishop Bernard Fellay

New Hamburg, Canada, Jan 4, 2013 / 04:37 pm (CNA/EWTN News).- Bishop Bernard Fellay, the head of the traditionalist Society of St. Pius X, mentioned Jews as “enemies of the Church” in a recent address reviewing the situation of the group as it considered full communion with Rome this past year.

“Who, during that time, was the most opposed that the Church would recognize the Society? The enemies of the Church. The Jews, the Masons, the Modernists,” Bishop Fellay, superior general of the society, said during a talk Dec. 28 at Our Lady of Mount Carmel Chapel in New Hamburg, Ontario.

The comment was made in passing during the wide-ranging address, which lasted one hour and 40 minutes.

The Society of St. Pius X was founded by Archbishop Marcel Lefebvre in 1970 as a response to what he described as errors that had crept into the Church following the Second Vatican Council. Its relations with the Vatican became strained in 1988 when Archbishop Lefebvre consecrated four bishops without the permission of Pope John Paul II.

Since Benedict XVI became the Pope, talks to reconcile the society with the Church have intensified, with a particular increase in 2012. However, the discussions seem to have broken down over the summer.

Speaking about this impasse, Bishop Fellay said that groups “outside the Church, who were clearly during centuries, were enemies of the Church,” expressed opposition to the reconciliation of the traditionalist society with the Catholic Church. His reference to “groups” seems to have been a reference his earlier mention of “the Jews, the Masons, the Modernists.”

The bishop said that 2012 saw trials “extended to almost the whole Society,” an experience he worried could mean “some people have then lost the trust in the authority.”
Bishop Fellay said that the society has received mixed signals from Rome, and that talks eventually broke down with accusations of the Pius X Society being “Protestants,” and of Roman Catholics being “Modernists.”

The group’s position, according to Bishop Fellay, is that the portions of the Second Vatican Council “opposed to what the Church has always taught” must be rejected. He said that Pope Benedict’s “hermeneutic of continuity” is untenable because the council documents are in places “contrary” or “opposed to Tradition.”

But Bishop Fellay said that he remains hopeful for the situation in the long-term, even if reconciliation will not be possible in the near future.
“The situation is not desperate, no. It’s not worse than before … there’s some hope. I don’t think for right for now, but for us, we just continue.”

We must “continue to pray to the Blessed Virgin Mary, pray the Rosary,” Bishop Fellay concluded.

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Mozart and the Illuminati

Mozart Vienna Lodge

Mozart in Vienna Lodge

On 14 January 1786, Mozart joined the new lodge The Crowned Hope. But he was not present at the opening ceremony and later he seldom attended their meetings. During this period, Mozart seldom wrote Masonic music.

Mozart belonged to the society where the llluminati still dominated. Only during the last year of his life, 1791, did he produce new pieces of music for the freemasons. This music contained secret codes and moods. Mozart desired true friends. This was why he became a freemason. All his friends were freemasons. As a very sociable person, Mozart could not be alone and therefore needed friends to associate with.

It has been observed that Mozart, due to his membership in Masonic lodges, found it easier to succeed and to make a name for himself in Europe, since high-ranking Masonic brothers supported him. Nearly half of the members of To True Harmony were aristocrats who helped Mozart, for example Esterhazy. Mozart’s publishers were also freemasons: Pasquale Artaria, Cristophe Torricella and Franz Anton Hoffmeister.

Mozart could always count on the brotherly hospitality of the freemasons, and during his sojourns abroad, he always received economic support and free lodgings. During his travels 1787-1791, the freemasons in Prague and other places helped Mozart in various ways. There is written evidence which proves this. Friends among the freemasons played a crucial role in aiding Mozart financially: Lichnowsky, Franz Hofdemel and Michael Puchberg were among his most important creditors.

Mozart, in his turn, helped other freemasons by acquiring loans for them. In December 1787, Mozart was appointed the imperial chamber composer. This gave him requisitions for greater operas. The Illuminati had become a state within the state. Despite all the prohibitions, they continued with their subversive activities against society. At that time, people lacked experience and resources to protect themselves against freemasonry, which was under the influence of the Illuminati.

The prominent Austrian composer Franz Schubert was not a freemason and he died poor and unappreciated.

As a gifted man, Mozart finally managed to see through the Illuminati’s evil, despite the fact that it appeared to be an angel of light. He intended to protect society by founding a secret society with several of his friends, Die Grotte (“The Cave”). Mozart was well aware of the deadly risk he was taking. Already in April 1787, he wrote in a letter to his father that death was actually the friend of man and that he could never lie down to sleep without thinking that he, despite his youth, might not see another day. (Maynard Solomon, “Mozart”, Stockholm, 1995.)

He wished to expose the magic and the conspiracy of the freemasons to the public. For this purpose he intended to use his opera “Die Zauberflote” (“The Magic Flute”), where Sarastro’s prototype was the Grand Master of the freemasons, Ignaz von Born. Mozart had a perfect memory. Once he had heard a melody, he could play it again later without making any mistakes. “The Magic Flute” (1791) contained many revelations about the secrets of freemasonry.

He used the pyramid of the Illuminati, the all-seeing eye, the temple and other secret symbols. These metaphors were later removed. Mozart also used musical means of expression by contrasting lyrical and tragic themes, elegance and folklore, fantastic details and the solid atmosphere of the orchestra. The opera premiered in the autumn of 1791.

The Illuminati could not forgive Mozart for this. “Requiem” was requisitioned from him anonymously in order to celebrate his own death. He was also paid in advance. The freemasons poisoned the object of their hatred slowly. “Requiem” was finished up to the second-to-last row of verse: lacrymosa dies ilia. Sussmayr finished the opus.

Hermann Ahlwardt claimed in his book “Mehr Licht!” (“More Light”) that Mozart was murdered. He died on 5 December 1791, precisely seven years after his initiation into the Masonic lodge. Salieri was later made the scapegoat. Hermann Wagener’s “Staats- und Gesellschaftslexikon” (volume 18, 1865) confirmed that Mozart was poisoned.

In 1990, several doctors tried to claim that Mozart died of a kidney disease. (Dagens Nyheter, 19 September 1990.) But if he had died a natural death, the freemasons would not have taken away Mozart’s body to prevent an autopsy after he died, or laid him in a grave for the poor together with quicklime.

If Mozart had been faithful to the freemasons, he would have been buried with great honors. His hypocritical “Masonic friends” wept crocodile tears. If “The Magic Flute” had been accepted, those in power would not have sent Johann Emanuel Schikaneder, author of the opera’s libretto, to a lunatic asylum, where he died in 1812.

In Austria, freemasonry was forbidden in the middle of the 1790s. Society managed to keep its ban on this subversive movement until 1918, when the freemasons in Austria came to power with the aid of the false socialist doctrine.

The freemasons continue to smear and depreciate Mozart today (for example Milos Forman in his film “Amadeus”).

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Florence & the Negro

It’s good to see Florence of Florence & the Machine has woken up to the animal niggers out raping white women in Great Britain. She runs like a bat out of hell from that crazy Negro with the voodoo doll.

The nigger wears a blonde wig trying to be white at the beginning. Florence is sleeping with her crystal skull, 13 of which will save the Earth from Apocalypse acccording to kike director, SS, STephen Spielbergo. What a joke. Nothing will save us from the apocalyptic race war Charles Manson prophecied of. Helter Skelter is coming. That nigger will never be white playing with his voodoo doll. But you think Christianity is a superior religion?…NOT on your life. The only GOOD religion is WOTANISM racially aware comrades. Trust me on this.

Anyhow, where was I? Anyhow, the nigger is wearing a blonde wig at the beginning then he chases FLorence down the street. There’s a big stink about how racist this video is. Joe keeps telling me its about Freemasonry but I don’t believe him. It’s about race. Everything boils down to race.

Anyways, Florence escapes back into the loving white arms of choirboys as she escaped her black assailant. Future White Nationalists those kids!

It’s nice not to be banned anymore Joe. I know you told me the black faced nigger is Asian but wtf? Asian kid painted black? Why? I bet your gonna tell me exactly what this video is about.

Until next time racially aware comrades! 14/88